Canti by Giacomo Leopardi

Published 1835 · 22,000 words · about 2 hours at an average pace · Poetry, Classic Literature

How hard is Canti to read?

Canti scores 72 out of 100 for difficulty on ReadingRate, making it very challenging. The score is a weighted composite of nine measures: four of how hard the prose is to parse, five of how hard the meaning is to extract.

Vocabulary: 76 out of 100
Highly literary nineteenth-century Italian with archaic and Latinate forms, classical mythology throughout, and a vocabulary shaped by Leopardi's philological training. Translations preserve the elevation and the allusions.
Sentence structure: 78 out of 100
Heavy inversion, suspended syntax and single sentences spanning whole stanzas, in canzoni libere whose irregular line lengths deliberately obscure where clauses end.
Abstraction: 84 out of 100
The poems argue a systematic philosophy — nature's indifference, the necessity of illusion, pleasure as the mere absence of pain — through the moon, a hedge and a broom flower. La ginestra is a philosophical treatise in verse.
Information density: 72 out of 100
Dense classical allusion, private biographical reference and continuous argument compressed into short lyrics, most of which require notes on first reading.
Narrative indirection: 58 out of 100
Leopardi states his positions with unusual directness for a lyric poet, but the poems reach them through addresses to the dead, to the moon and to a flower who cannot answer.
Symbolic density: 86 out of 100
The hedge, the moon, the broom on the lava, the Saturday evening before the holiday, the shipwreck in the sweet sea — each is a compact figure carrying the whole of his argument.
Ironic distance: 64 out of 100
The Palinodia mocks the progressives of his day outright, and even the tenderest poems contain a cold correction: the expectation is described lovingly and then shown to have been a lie about the world.
Resolution withholding: 76 out of 100
The shepherd's questions to the moon get no answer, the broom will be buried, and the consolation Leopardi offers at the end of his life is only that people should be honest about having none.
Structural complexity: 66 out of 100
A sequence assembled and reordered by the poet across four editions, mixing patriotic canzoni, idylls, the great late Neapolitan poems and satirical verse into a shape that is chronological, thematic and neither.

How Canti is regarded

Canti holds a literary regard score of 86 out of 100, weighing its place in the canon, its critical reception, its influence on other writers, and the standing of its author. Regard is measured separately from difficulty: a demanding book is not necessarily an admired one.

About the author

Giacomo Leopardi