Maldoror and the Complete Works by Comte de Lautréamont

Published 1869 · 347 pages · 95,425 words · about 12 hours at an average pace · Poetry, Modernist & Experimental Fiction

How hard is Maldoror and the Complete Works to read?

Maldoror and the Complete Works scores 76 out of 100 for difficulty on ReadingRate, making it very challenging. The score is a weighted composite of nine measures: four of how hard the prose is to parse, five of how hard the meaning is to extract.

Vocabulary: 68 out of 100
The Chants mix scientific, zoological and ecclesiastical terms with ornate rhetoric and rare words in the cantos' florid style. It is demanding but less invented than Gravity's Rainbow, closer to The Golden Bowl in register.
Sentence structure: 66 out of 100
Long rhetorical periods with apostrophes, extended similes and sudden fragmentation drive the cantos. The syntax stays navigable, like Lolita, though it swerves abruptly.
Abstraction: 68 out of 100
Maldoror's defiance of God and the Creator turns on metaphysical argument, yet it keeps landing in bodily scenes of sharks, lice and children. It sits near Pedro Paramo in mixing concrete horror with abstract revolt.
Information density: 62 out of 100
Images pile up fast: each stanza brings a new creature, an assault or an address to the reader. The Poésies add compressed aphorisms. The pace is less encyclopedic than Moby-Dick.
Narrative indirection: 80 out of 100
The cantos have no continuous plot, and identities and narrators shift without warning. Readers must decide who speaks and what is parody, as in Pedro Paramo.
Symbolic density: 80 out of 100
The ocean, the louse, the pederast and the Creator's cruelty all carry heavy symbolic freight and the images repeat across the cantos. Poésies inverts the symbolism of the Chants.
Ironic distance: 84 out of 100
Black humor, parody of Romantic Byronic heroes and the Poésies' reversal of earlier maxims leave readers unsure what the author means. Little in the text is a straight statement, in the manner of Pale Fire.
Resolution withholding: 82 out of 100
The Chants break off without a settled conclusion, and the Poésies disown the earlier work, so no stable reading settles. Maldoror's fate stays open, like the endings of 2666.
Structural complexity: 74 out of 100
Six cantos of numbered stanzas, an interrupted narrator and a second work that contradicts the first give the whole an unstable form. It is not as fragmented as Flights.

How Maldoror and the Complete Works is regarded

Maldoror and the Complete Works holds a literary regard score of 74 out of 100, weighing its place in the canon, its critical reception, its influence on other writers, and the standing of its author. Regard is measured separately from difficulty: a demanding book is not necessarily an admired one.

About the author

Comte de Lautréamont