Ragnarok by A.S. Byatt

Published 2011 · 240 pages · 66,000 words · about 4 hours at an average pace · Literary Fiction, Fantasy

How hard is Ragnarok to read?

Ragnarok scores 47 out of 100 for difficulty on ReadingRate, making it moderately challenging. The score is a weighted composite of nine measures: four of how hard the prose is to parse, five of how hard the meaning is to extract.

Vocabulary: 38 out of 100
Byatt keeps the diction plain and storyteller-like, with Norse names and a few archaic terms. It is easier than The Great Gatsby's polished prose in vocabulary, closer to a clear retelling.
Sentence structure: 42 out of 100
Sentences are short and declarative in the myth passages, with longer reflective sentences in the child's sections. The syntax is clearer than Gatsby's.
Abstraction: 55 out of 100
Cosmic myth and extinction meditation sit alongside the concrete wartime details. The book is more abstract than To Kill a Mockingbird but concrete in its images of gods and battles.
Information density: 45 out of 100
A short book that covers all Norse cosmology from creation to the end, with many named gods and creatures. It is denser than Beach Read but lighter than Gatsby in what it asks you to hold.
Narrative indirection: 50 out of 100
The parallel between the child and the myths is suggested rather than stated, so readers draw the connection to war and loss. It is more direct than The Great Gatsby's biased narration.
Symbolic density: 68 out of 100
Yggdrasil, the World Serpent and the book itself carry meaning, and the ending reads as a fable of ecological ruin. It is less dense than The Great Gatsby's symbolism.
Ironic distance: 30 out of 100
The tone is earnest and elegiac, with only a little dry wit around Loki's tricks and the gods' vanity. Closer to the Tattooist of Auschwitz in sincerity than to Gatsby.
Resolution withholding: 50 out of 100
The myth ends in destruction, and the child's fate and faith are left open. Closure is firm in plot but open in meaning, like The Great Gatsby.
Structural complexity: 42 out of 100
Two strands alternate: the wartime frame and the retold myths. It is simpler than The Master and Margarita but more layered than a linear novel.

How Ragnarok is regarded

Ragnarok holds a literary regard score of 52 out of 100, weighing its place in the canon, its critical reception, its influence on other writers, and the standing of its author. Regard is measured separately from difficulty: a demanding book is not necessarily an admired one.

About the author

A.S. Byatt