The Quilt and Other Stories by Ismat Chughtai

Published 1990 · 225 pages · 55,000 words · about 5 hours at an average pace · Short Stories, Literary Fiction

How hard is The Quilt and Other Stories to read?

The Quilt and Other Stories scores 57 out of 100 for difficulty on ReadingRate, making it quite demanding. The score is a weighted composite of nine measures: four of how hard the prose is to parse, five of how hard the meaning is to extract.

Vocabulary: 50 out of 100
Begumati zabaan, the private Urdu of women's quarters, is full of idiom and abuse that translation can only gesture at.
Sentence structure: 44 out of 100
Fast, gossipy, speech-driven prose that runs on the rhythm of household talk.
Abstraction: 46 out of 100
Desire and confinement are shown through household detail rather than argued.
Information density: 52 out of 100
Purdah household arrangements, servant hierarchies, and Muslim marriage practice in 1940s United Provinces are assumed.
Narrative indirection: 68 out of 100
Lihaaf is told by a child who describes what she sees under the quilt without understanding it, leaving the reader to know more than the narrator.
Symbolic density: 60 out of 100
The quilt rising and falling like an elephant on the wall in lamplight does all the work the story refuses to state.
Ironic distance: 72 out of 100
Chughtai's narrators are innocent, admiring, or scandalised, and always wrong in a direction that exposes the household.
Resolution withholding: 62 out of 100
Stories break off at the moment of recognition; the child in Lihaaf simply says she will never tell anyone what she saw.
Structural complexity: 40 out of 100
Independent stories, mostly linear, unified by the zenana setting.

How The Quilt and Other Stories is regarded

The Quilt and Other Stories holds a literary regard score of 76 out of 100, weighing its place in the canon, its critical reception, its influence on other writers, and the standing of its author. Regard is measured separately from difficulty: a demanding book is not necessarily an admired one.

About the author

Ismat Chughtai